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Choir Director's Organizer, 2011-2012 Edition
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For SATB Voices and Piano
By Frode Fjellheim
Originally conceived as a vocal solo for a classically trained soprano. Now, the vocal palette has been expanded for both SSAA and SATB choirs. Along with the expanded number of voices, the style has also expanded to include a folk-like style for the lower voices, an "angel-like" quality for the upper voices and an accordian, wind instrument and percussion accompaniment to embellish the piano part. This can also be accompanied using the chord symbols for a more free and improvisatory affect.
By Frode Fjellheim
Originally conceived as a vocal solo for a classically trained soprano. Now, the vocal palette has been expanded for both SSAA and SATB choirs. Along with the expanded number of voices, the style has also expanded to include a folk-like style for the lower voices, an "angel-like" quality for the upper voices and an accordian, wind instrument and percussion accompaniment to embellish the piano part. This can also be accompanied using the chord symbols for a more free and improvisatory affect.